Play Along Piano

Tags

Renaissance

''Matona mia cara'', Orlando di Lasso (1532 - 1597)

FarrierPete

2:57	Est. Play Time
116	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	5	100%
	11	0	2	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	5	100%
	11	2	5	100%
Baritone	11	3	5	100%
Bass	12	1	4	98%

Schiarazula Marazula

Fermate

1:04	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	0	3	100%
	6	0	0	3	100%
	5	3	1	5	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	6	0	0	3	100%
	6	0	0	3	100%
	5	3	1	5	100%

Adoramus te Christe (TTBB)

esmeadows

1:08	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	0	2	6	100%
Tenor 2	11	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	2	6	100%
Tenor 2	11	3	7	100%
Bass	8	1	5	94%
Tenor 1	8	1	6	91%

A Hornepype (shortened)

Bartók forever

3:19	Est. Play Time
76	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Virginal		22	3	3	9	100%
		13	11	0	7	93%

N. Vicentino: Madonna, il poco dolce

intasei

1:19	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	0	4	6	100%
Contra	15	0	6	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	4	6	100%
Contra	15	6	5	96%
Tenor	13	4	6	96%
Basso Continuo	12	3	6	96%
Bassus	12	3	6	96%

Anthony Holborne - The Fairy round - for guitar

Daniel Rubin

1:12	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		21	30	2	7	100%

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

Bartók forever

3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

Come, Heavy Sleep for Guitar Quartet, John Dowland

PreludeAndFugue

1:19	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	11	0	2	6	100%
II	11	0	2	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	11	2	6	100%
II	11	2	7	100%
III	11	2	7	100%
IV	10	1	6	100%

Lachrimae Antiquae for Guitar Quartet

PreludeAndFugue

3:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	0	1	7	100%
II	11	0	2	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	1	7	100%
II	11	2	8	100%
III	11	1	7	100%
IV	21	3	8	96%

Guillaume Dufay - Credo from Missa l'Homme Armé (partim) for brasses

Plagal

2:57	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trompet 1	14	1	3	13	91%
Trompet 2	12	0	3	11	91%
Trombone	12	1	3	9	90%
Trompet 3	11	0	1	5	77%

Galliard 39, Francis Cutting

PreludeAndFugue

2:10	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	30	9	8	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	30	9	8	95%

The King's dance

Samuele Meris

2:38	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	0	0	5	100%
Dulciana	9	0	0	5	100%
View all 7 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	5	100%
Dulciana	9	5	100%
Viola tenore	12	5	73%
Violone	6	3	73%
Flauto dolce sopranino in Fa	9	5	71%
Flauto dolce tenore in Do	9	5	49%
Cornamusa soprano	8	5	22%

Janequin: Au joly jeu

AymericHM

1:10	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	19	0	5	96%
		15	14	0	5	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	19	0	5	96%
		15	14	0	5	89%

Semper Dowland Semper Dolens for Guitar Duo, John Dowland

PreludeAndFugue

2:27	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		26	7	7	8	93%
I		24	0	8	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		26	7	7	8	93%
I		24	0	8	8	89%

Francesco da Milano - Toccata

Daniel Rubin

1:08	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		22	14	3	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		22	14	3	5	96%